For this series I interviewed five artists: a philosopher, a female artist, a landscape architect and two jazz musicians (together). This is how I identify them in the simplest terms although each one of their identities is multifaceted and ever changing, as I soon discovered. 
Growing up, I was extremely shy. Every move I made, and every word spoken was carefully calculated. Yet, I was even judged for what I did not say and labeled the quiet girl. This identification became crippling until I found a means of communicating without saying a word and so I became the quiet, artistic girl. If I couldn’t speak for myself, my art would speak for me. The pressure lay in my ability to create something accepted as impressive by my peers. 
In Creative Conversations: Ephemeral Identity, I challenged myself to reach out to people and engage in conversation which meant speaking unfiltered in the moment. Instead of using art as a means of communication, I made art the motive for communication. ​​​​​​​
The conversations were an opportunity for each person to share their stories and talk openly about their passions. I recorded each interview and took notes on large sheets of paper to collect my thoughts on the discussions. I sat and flipped through old books and magazines with my notes as a guide for finding metaphors that represented poignant conversations with each artist. As I struggled to place each collage component, thoughts turned into revelations. Art became a way to think, a philosophical exercise instead of a means of communication.
After I finished all the interviews, I realized the notes I had been taking were a representation of my own artistic process and a reflection of my own shifting identity. Every person is a collage; gathering connections like a bricoleur looking through discarded objects to find something old and make it new again.
I struggled to glue down each component of the collage because there was a sadness to finalizing each piece. The investigation and the inherent ephemerality of identity died. These montages become a snapshot of an identity frozen in time. I discovered nothing can ever fully represent the fluid identity of a human.
“Art School, Love & Prizefighting” Collage, Acrylic and Calligraphy  *GIF created using Adobe Photoshop, physical piece 14 x 11 in
“Art School, Love & Prizefighting” Collage, Acrylic and Calligraphy *GIF created using Adobe Photoshop, physical piece 14 x 11 in
"Victorian Collage" Hand-cut collage photographed and combined with digital images, animated using Photoshop
"Victorian Collage" Hand-cut collage photographed and combined with digital images, animated using Photoshop
“Slip Away (Part 1)" Collage and Acrylic on Wood  *GIF created using Adobe Photoshop, physical piece  11 x 9.5 in
“Slip Away (Part 1)" Collage and Acrylic on Wood *GIF created using Adobe Photoshop, physical piece 11 x 9.5 in
“Slip Away (Part 2)"  Collage and Acrylic on Wood  *GIF created using Adobe Photoshop, physical piece 11 x 9.5 in
“Slip Away (Part 2)" Collage and Acrylic on Wood *GIF created using Adobe Photoshop, physical piece 11 x 9.5 in
“Improv” Collage and Acrylic on Wood  *GIF created using Adobe Photoshop, physical piece 11 x 20 in
“Improv” Collage and Acrylic on Wood *GIF created using Adobe Photoshop, physical piece 11 x 20 in
“Window Frame” Mixed Media 27.5 x 34.5 in
“Window Frame” Mixed Media 27.5 x 34.5 in
"Creative Conversations" Assembled GIFs
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